The leader of the Prague Spring established the idea of socialism with a human face during the free sixties, which was silenced by Soviet tanks. Despite the totalitarian darkness, Alexander Dubček's face became a symbol. In the film All People Will Be Brothers, Slovak director Robert Kirchhoff returns to this ever-living symbol and composes the story of "the face of Dubček". The faces of visionary and secretary, ideal and reality, absolute and relative, elite and popular, global and local, power and powerlessness, victory and defeat. We follow the witnesses of Dubček's life in scenes from the utopian commune in Kyrgyzstan, where he grew up, through the era of a pop political star, the era of a dissident — prison at large, to the Gentle Revolution in 1989, Dubček's return to big politics and his tragic death.
